“The color and composition in all of George's work are both boldly precise and playfully imaginative, blending reality and fiction without ever drawing a clear line between the two. In George's mind, everything physical can be disassembled, rearranged, and reassembled at will. And if something's missing from reality, he simply adds it himself. An old, cracked—but still beautiful—movie theater is suddenly restored to its most vivid self, while a gas station north of Copenhagen, a symbol of Danish modernism, now sprouts palm trees—because why not?”